Prosper Red

Draped in a vivid red lacquer, the 76.6010/600 (“Prosper Red”) stands as a dramatic statement piece in L’Épée’s kinetic art collection. Sculpted in the shape of a dollar sign, this clock does more than tell time — it enlivens your space with bold symbolism and mechanical poetry. Its bright red façade is both a visual manifesto and a playful nod to the notion that while wealth can be coveted, time remains the singular currency one can never purchase. From every angle, the silhouette evokes growth and momentum — the twin bars of the “$” motif cradling the exposed movement within. Each gleaming surface, from the lacquered planes to the polished steel accents, reflects light with purpose and theatricality. As the hand-polished hour and minute hands sweep across the dial integrated into the dollar-sign frame, they seem to float in a dance of ambition and audacity. Inside, the rhythmic heartbeat of the mechanism hums with precision — a visible engine of legacy and craftsmanship. Whether viewed from the front, side, or back, you feel invited to explore its layers: the open-work plate, the bridges, the escapement, all harmoniously aligned in service to both timekeeping and storytelling. With the 76.6010/600, your desk (or shelf) becomes a stage — a canvas for conversations about value, progress, and the fleeting nature of time itself. L’Épée 1839 in-house manual-winding calibre, 18,000 bph (2.5 Hz), 8-day power reserve, 120 components, 28 jewels, Incabloc shock protection. Red-lacquered palladium-plated brass & stainless steel (case / structure), polished and satin finishes; skeleton movement bridges and plates in palladium-plated brass & steel. Dimensions & Weight: 139 mm high × 100 mm long × 100 mm wide; weight 1.2 kg. Time display: Hours and minutes via hand-polished skeletonized hands mounted directly on the open, dollar-sign main-plate. Case: Open-worked dollar-sign frame in lacquered palladium-plated brass and steel, combining polished and satin surfaces, with structural geometry that reveals the movement from various angles. Dial: Integrated into the skeleton architecture — no separate dial plate; the movement itself is the backdrop, and the hands hover over the exposed bridges and wheels, finished with vertical graining and high polish